BGO Records have compiled an album which brings together all of Nillson’s singles, and B Sides, released by RCA Records between 1967 and 1978. An alternative to a traditional greatest hits compilation, this album showcases every single piece of commercial Nilsson regardless of their success; an intriguing prospect for someone who may only know the overplayed sides of Without You or Everybody’s Talkin’.
In truth, I started writing this review over a year ago. I played the whole album from front to back and was blown away by it. So much so, that I was daunted by the prospect of putting my thoughts down into a review. Nilsson’s name pops up in several corners of Pop music history including as a songwriter for The Monkees, or as a production credit for The Beatles’ John Lennon. However, I’m not certain his status as a recording artist is as celebrated as it needs to be.
When I first put on the album, I wasn’t expecting to know many of the songs. As the songs rolled by, many composed by Nillson himself, I realised how much of his music had been scattered across the media through usage in films and television. I found myself saying “Wait a second, that was Harry?” on more than one occasion. The likes of Me and My Arrow and Coconut are old friends I wasn’t aware would visit. Even the songs I didn’t know, such as Down To The Valley, Gotta Get Up and more felt like nostalgic gems that somehow punched their way through the space-time continuum.
Nilsson never performed his material in a live audience setting, instead focusing on composition in the studio. Techniques, such as double tracking of vocals, are prominent in many of these recordings; Nilsson’s inventiveness shines into surprisingly contemporary territory. An example of this is the beat on Me and My Arrow, an ahead-of-its-time rhythm that wouldn’t feel out of place on most RnB records of the last thirty years. The song Buy My Album is nothing more than a promotional tool for his long player, but the tune he sings in it will linger just as much as the segments of actual songs used.
The album is presented in chronological order, and it is clear to see the progression. In this writer’s opinion, disc two will probably be the disc you’ll play most often out of the three, as it has the most consistent sound. It’s fascinating to hear the experimental nature of Harry’s sound grow and never diminish. Who ever thought a laid back low key Beatles mashup would work? I wouldn’t have thought so before hearing this album. In fact, I think my entire perception of possibility was altered!
A Little Something Extra…
Alongside the three discs of music, presented in a nicely presented digipak is an 18-page booklet; It features a biography of the artist and a few images. The liner notes, written by Charles Waring, help to contextualise the music contained within.
Sound Quality
It is clear these recordings have been taken from the original master tapes. They are as clean and crisp as the day they were recorded. I’ve tried them through several setups, and they all sounded great.
Conclusion
Before hearing this album, I hadn’t known just how ahead of his time Harry Nilsson was. His creative take on many genres deserves multiple listens. His Bs are just as good as his As! For those who only know the handful of songs that have stood the test of time in the public consciousness, they are missing out to a great extent. BGO was very wise to compile this, for including b-sides makes this more expensive than a greatest hits. Highly recommended. A’s and B’s by Harry Nilsson is available from BGO Records.
Disc One:
- Without Her
- Freckles
- You Can’t Do That
- Ten Little Indians
- River Deep, Mountain High
- She Sang Hymns Out Of Tune
- One
- Sister Marie
- Everybody’s Talkin’
- Don’t Leave Me
- Rainmaker
- I Will Take You There
- Morning Glory (aka Mournin’ Glory Story)
- Maybe
- Marhin’ Down Broadway
- I Guess The Lord Must Be In New York
- The Puppy Song
- I’ll Be Home
- Waiting
- Caroline
- Yellow Man
Disc Two:
- Down To The Valley
- Buy My Album
- Me And My Arrow
- Are You Sleeping?
- Good Old Desk
- Without You
- Gotta Get Up
- Jump into The Fire
- The Moonbeam Song
- Coconut
- Down
- Joy
- Spaceman
- Turn On Your Radio
- You’re Breakin’ My Heart
- Remember (Christmas)
- The Lottery Song
- As Time Goes By
- Lullaby In Ragtime
- Makin’ Whoopee!
- Daybreak
- Bonus Track: Down (Demo)
Disc Three
- Many Rivers To Cross
- Don’t Forget Me
- Subterranean Homesick Blues
- Mucho Mungo/Mt. Elga
- Loop De Loop
- Save The Last Dance For Me
- All My Life
- Kojak Columbo
- Turn Out The Light
- Something True
- Pretty Soon There’ll Be Nothing Left For Everybody
- Sail Away
- Moonshine Bandit
- Just One Look/Baby I’m Yours
- That Is All
- Who Done It?
- Perfect Day
- All I Think About Is You
- I Never Thought I’d Get This Lonely
- Ain’t It Kinda Wonderful
